Nemesis Films
A few words about us
Founded in 2012, Nemesis Films is a film production company based in Montreal, Canada. Our goal is to produce thought-provoking films of high cinematic value – shorts or features; fiction, animation or documentary. We offer a human approach to producing and aim to develop lasting collaborations with Quebec’s most promising talents, as well as co-producing partners from all over the world. We have produced over 20 films that have traveled in festivals worldwide and have been sold in more than 80 countries, notably: Dave Not Coming Back, Nadia, Butterfly and Red Rooms.
Dominique Dussault
Producer and CEO
Owner of Nemesis Films, Dominique is an award-winning producer with more than twelve years of experience in the industry. She holds a Master’s degree in Management from HEC Montreal and has worked in distribution for Les Films Séville (eOne) and the National Film Board of Canada (NFB).
Her second feature film, Nadia, Butterfly, directed by Pascal Plante, was an Official Selection at Cannes 2020, and screened at numerous international festivals including Busan, Karlovy Vary as well as being included in TIFF’s 2020 Top 10 list.
Dominique has developed a well-deserved reputation as one of Canada’s most promising producers, winning the 2022 Vincent Gabriele Emerging Producer Award from the Quebec Producers’ Association, the 2020 Kevin Tierney Award from the Canadian Media Producers’ Association, and the 2019 Best Emerging Producer Award at Fantasia International Film Festival.
Her latest fiction feature, Red Rooms, opened the 2023 Fantasia International Film Festival, where it garnered five awards, including Best Film, and has been sold in over 80 territories.
Amélie Tremblay
Producer
Amélie holds a bachelor’s degree in Cultural and Media Production and a Certificate in Screenwriting from Université du Québec à Montréal. She joined Nemesis Films in 2018 and quickly shined as a production coordinator. She later took the lead of the company’s emerging talent division, supporting new voices in the development and production of their projects.
Her recent productions include the short film Heat Spell by Marie-Pier Dupuis (2023 — ARTE Prize, Brussels Short Film Festival; Telluride Film Festival), the feature film Irlande Cahier Bleu by Olivier Godin (ACCQ Award—Caméra Lucida, Fantasia, 2023), and the short film Little Goodbyes by Justine Martin (REGARD international Short Film Festival, 2025; Palm Springs Short Film Festival, 2025).
In 2024, she received support from Telefilm Canada’s Talent to Watch program to produce Fios da Terra, Kayla Fragman’s first feature documentary, which is currently in postproduction. Amélie is currently developing several projects, including: Sarah Baril Gaudet’s High Season, Justine Martin’s first feature Sundays as well as Body-to-Body, Romane Garant Chartrand’s upcoming short film.
Marie Arduin
Administrative coordinator
Marie Arduin has made her mark in the film industry with a passion for seamless organization and a keen eye for detail. She joined the Nemesis Films team in 2025, where she serves as administrative coordinator and plays a central role in ensuring projects run smoothly, rigorously overseeing production processes—from financing to delivery.
Before joining Nemesis, Marie worked as a post-production supervisor on several major feature films and television series. Her notable collaborations include Pascal Plante’s Les chambres rouges, Robin Aubert’s Tu ne sauras jamais, Sophie Farkas Bolla’s Jules au pays d’Asha, as well as TV series such as Les bracelets rouges (seasons 1–3), Léo (seasons 3–5), La candidate, Bête noire (season 2), and Motel Paradis.
This solid background in post-production gives her a nuanced understanding of the technical and creative challenges at every stage of a project. Her versatility and ability to anticipate needs make her a valuable asset in ensuring coordination between artistic, technical, and administrative teams.
Rigor, practicality, and curiosity guide her approach, without ever losing sight of the human element behind every film. For her, a project’s success depends as much on artistic vision as on solid coordination… and good Excel spreadsheets!